Partly architectural and partly sculptural, these ceramic design objects foster a dialogue between form and surface, challenging and expanding perceptual assumptions when experiencing a minimalist yet complex design.

Inspired by the Gestalt Theory of Visual Perception – which suggests the mind seeks order and logic in what the eyes see – these ceramic design objects are one-of-a-kind and feature bold, stylized, and originally designed surface patterns.

The surfaces are intentionally unglazed and hand-painted with slips and hand-harvested clays, embracing the natural materials’ marks and distressed appearance to enhance the tactile experience of holding the piece.

The work is fired in wood, gas, and electric kilns to further explore forms, surface design, and materials, bridging modern fabrication methods with traditional craft practices.